The Emerging Artist in Residence (EAiR) program supports knowledgeable artists who are making a transition in their professional lives. Whether moving from academia to a professional studio practice, taking up a new medium, or beginning a new body of work, artists find this independent residency ideal for contemplation, research, and experimentation. The program provides artists with space and the time to develop an idea, project, or new body of work in glass.
The Emerging Artist in Residence (EAiR) program supports knowledgeable artists who are making a transition in their professional lives. Whether moving from academia to a professional studio practice, taking up a new medium, or beginning a new body of work, artists find this independent residency ideal for contemplation, research, and experimentation. The program provides artists with space and the time to develop an idea, project, or new body of work in glass.
The EAiR program began in 1992 and serves artists working with glass. The 2024 cohort will be artists from around the world; selected by the jury and our partner organizations.
We will offer a designated residency spot for a promising BIPOC artist. We will also host an exceptional emergent Norwegian artist selected by the Norwegian Crafts in an exchange funded by the American Scandinavian Foundation and the 2023 Ukraine Glass Prize awardee.
The residency requires a specific project proposal that tells how you will use your time on campus. Our studios for kiln-working, coldworking, printmaking, flameworking and use of mixed media are available for residents, but hot glass working is not included. Although supported by coordinator(s), the EAiR program is an independent artist’s residency, so no instruction is available, and glassmaking experience is required. Similarly, the school has a Bot Lab for machine assisted fabrication available for independent use for those trained and orientated. Neon is available on a limited basis, please do not submit a proposal based on neon alone.
The residency requires full-time participation by all artists. Visiting curators and the Artistic Director will provide technical and critical feedback plus opportunities for field trips. Residents are expected to partake in communal studio clean-ups and be responsible and courteous studio citizens.
All residents will receive a stipend of US $2,000 per artist and travel reimbursement. On campus, they will share open studio space and cooking facilities with their cohort and be lodged in their own private room with shared bath. Materials, instruction, and food are not provided for residents.
This residency is funded by Norwegian Crafts, American Scandinavian Foundation, the Ukraine Young Artist Award, individual donors, and a generous multi-year gift from Chihuly Studio and Chihuly Garden and Glass aimed at supporting Pilchuck’s operations, the needs of its artist community, and its work towards greater diversity, equity, access, and inclusion.
Jazmin Novak is a New Mexico-based sculpture artist. Her focus lies in creating work influenced by the desert environment. Incorporating bronze, aluminum, iron, and glass, her work reflects the importance and beauty the landscape holds. Novak believes connection to one another is imperative to our well-being and uses animal figures as narrative devices to communicate stories of connection, identity, and shared humanity. Novak is a Diné artist born and raised in Albuquerque, New Mexico. Sculpture allows her to tell stories from an Indigenous perspective. Each work is informed by the process, allowing the piece and the narrative to grow together.
Novak received a Bachelor of Fine Arts in Studio Arts with a minor in Performing Arts from the Institute of American Indian Arts in 2021. She has exhibited her work in New Mexico in various museums and galleries, including the IAIA Museum of Contemporary Native Arts, SITE Santa Fe, 516 Arts, and internationally at the Marist LdM Biennale 2019 Exhibition during the Venice Biennale. Novak is a recipient of the 2023 Dreamstarter® Creatives. After working in the themed entertainment industry for Meow Wolf and Walt Disney Imagineering on various projects, Novak is establishing her studio in Santa Fe, NM.
Lindsy Marshall is an artist and maker living in Massachusetts. Discovering glass while studying at Massachusetts College of Art and Design, it has come to be a prominent material in her work. She’s studied at institutions such as Pilchuck Glass School and Pittsburg Glass Center. Her work has been shown in notable exhibitions such as Bullseye’s Emerge 2018 and Contemporary Glass Sculpture with New Bedford Art Museum. Lindsy spends much of her time focused on experimentation and exploration pushing the limits of what is possible with the material and creating work that is unrecognizably inspired by nature, life, and the body.
María Naidich is a practice-based researcher working mainly with sculpture and installation. Her installations are built around fiction, speculative narratives, archaeology-inspired methods, and references to non-Western cosmologies in relation to nature. Her installations involve texts, glass sculptures, ceramics, assemblages of found objects and materials, light, and sound. Her practice addresses topics related to stones, water, the concept of nature, and the dichotomies derived from an anthropocentric understanding of nature, such as the alive/inert and natural/artificial distinctions. She is a PhD candidate at UNAM in Mexico, where she is currently developing research on geological and artistic glass and the mutability of this material within the discussion of the natural and the artificial.
Born into a family of glass artists, which founded Wu Zixiong Glass Art Museum, Wu began to learn glass carving art and other crafts at the age of nine and travelled frequently around the world with his father. This experience became an important influence and source for his artistic creations. Graduated from Ecole Supérieure d’Art et Design Le Havre-Rouen in France. In 2017, he founded Yue Studio, exploring and innovating both the contemporary glass sculpture and contemporary art. Giants, childhood, cities and the frontiers of consciousness seem to him to be metaphors as well as sources of creativity. He focused on personal memories and on the fields that affect the psyche, introducing these processes of tracing human fragments in his works.
Looking for an opportunity to surround yourself with the creative energy of glass artists from around the world while also gaining valuable teaching and studio experience? Teaching Assistants and Artist Assistants are a vital part of the Pilchuck community. They support the vision and goals of Instructors and Artists in Residence while helping to create a safe and inclusive learning environment.
New and experienced artists alike often make tremendous conceptual and artistic progress in their short time at Pilchuck. Combining a deep focus on glass, access to a variety of resources, a picturesque Pacific Northwest setting and an ever-expanding international community of artists, Pilchuck has become the most comprehensive educational center in the world for glass artists.